May 5, 2013 § Leave a comment
I sometimes come across this sort of silicone bakeware, and wonder what on earth it’s for (although if it’s as nice as this sunflower one, I don’t worry too much about that). But then I remember financiers. Financiers, or friands, are not something you often come across, but they are a great recipe to know about. Made with egg whites, melted butter, flour, sugar and ground nuts, they are moist little cakes that keep really well.
Financiers are from the French kitchen, and used to be baked in little gold-ingot like bars, which gave them the name. Traditionally, they would be made with brown butter and ground almonds – a rich and somewhat expensive combination which may account for the name. Friands are the antipodean version, less likely to include anything as fussy as brown butter, and more likely to be a carrier for raspberries, blueberries or other fruit flavours.
Another good reason to have a friand or financier recipe on hand is that they are a great way to use up leftover egg whites. Unlike macarons and other egg white recipes that use a meringue base, these don’t require the whites to be whisked to peaks. They only need a little whisking to break them up, and you can easily use 3, 4 or 5 egg whites for one batch of cakes (handy if you’ve been making ice-cream).
Because of the melted butter and nuts, these are quite dense and rich little cakes, that are best baked in small tins. Friand tins are little oval shapes, but mini muffin tins are the perfect size, if you grease them well. You can also use silicon bakeware in lots of beautiful shapes, like this sunflower mould I picked up in Paris. This seems to cook them more evenly, although you also get less of the brown crust. When baked, the outside should be lightly browned, and when cool, just a little crisp. The interior will be rich and dense with the nuts.
They are a great thing to have on hand if you think you don’t want a proper dessert or cake, just something sweet to nibble with tea or coffee at the end of a meal, or as a pick-me-up in the middle of the afternoon.
For these sunflower cakes, I wanted to keep the mixture plain – no berries or other decorations, so that the shape of the sunflowers would show up nicely. Instead, I used the traditional French approach and made brown butter, which along with a little vanilla, formed the only flavouring. There will be more on alternative flavours for financiers in a forthcoming post.
Scroll down for more on what’s behind the recipe, including details on brown butter and the role of the egg whites.
Brown butter financiers
- 150g brown butter
- 165g egg whites(5)
- 175g icing sugar
- 50g plain flour
- 100g ground almonds
- 1 teaspoon vanilla extract
First make the brown butter, as directed below, and set aside to cool.
Preheat the oven to 200C/180C fan/400F and thoroughly butter your moulds or tins.
Whisk the egg whites gently to loosen them, but not enough to create a froth. Sieve the icing sugar, flour and almonds onto the whites and stir together until combined.
When the butter has cooled but is still liquid, add to the mixture and fold together gently until completely combined and homogenous. If you like, add some vanilla extract or a drop or two of almond extract.
At this stage, you can refrigerate the mixture overnight or for a few days, until you are ready to bake.
Fill the moulds about 80% full, and bake for 8–12 minutes. The timing will depend on the tins you are using – both the material and the size. They are ready when cooked through – test with a skewer – and with toasted brown edges.
Leave to cool for 5–10 minutes and then turn out of the tin while still warm. If using metal tins, you may need to use a knife to ease the cakes away from the sides. Eat the same day if possible – although they will keep for several days in a tin, the texture won’t be quite as good, and you won’t get the same contrast between crisp edge and soft, dense interior.
What’s behind the recipe?
Brown butter is what happens when you cook butter until the water has all evaporated and the temperature rises high enough to toast the milk solids in the fat. This produces a little bit of brown sludge at the bottom of the pan, and a lovely toasty, nutty flavour in the butter. It’s sometimes called beurre noisette, and used as a sauce in some dishes of French cookery.
You may have made brown butter accidentally before, by putting butter into a too-hot pan, and seeing the little brown grains appear. Brown butter, made deliberately, is usually done in a small saucepan, of pale metal so that you can see the browning, with a larger quantity of butter. Melt the butter over a moderate heat.
Once the butter is gets close to 100C the water in the butter will start to boil (about 15% of butter is water, depending on the brand you use). Let this bubbling continue. When the water has all gone, it will stop bubbling, and go quiet. This is when you need to pay close attention, and probably stir occasionally. The milk solids – those white, milky parts that appear when you melt butter – will sink to the bottom of the pan and be the first to brown, so you need to scrape them off and stir them about to make sure nothing burns. You might also start to get a foam on the top of the butter. Once the solids at the bottom are a nice nut-brown, and the whole thing smells nutty, remove it from the heat and pour the whole thing into a heatproof bowl or measuring jug. This will help to stop the cooking and make sure it doesn’t brown any further and start to burn. Most recipes using brown butter, including financiers, will need the butter to be cooled – it will be extremely hot when it comes out of the pan.
Why whisk the egg whites if you’re not going to form peaks?
Financiers don’t need the aeration you get from an egg white whisked into snowy peaks, but the recipes often ask you to whisk them a little. Why? The proteins in egg white attach to each other very well, which is why a really fresh egg broken onto a plate will ‘sit up’, and why it’s so hard to divide an egg white in half, if you’ve ever tried to do that. Whisking the whites just a little helps to break apart the proteins and loosen the whole thing up. This makes it much easier to mix in the other ingredients.
Why do financiers only have egg whites in?
Financiers are a puzzle to me. Here is a little tender cake, that doesn’t have any baking powder in, and doesn’t whisk air in through creaming or whisked egg whites. So what makes it rise instead of being a flat pancake?
My best guess is that the egg whites provide a stretchy protein structure, so that when the water and fat in the recipe heats up, and steam is released, the stretchy egg proteins are there to capture it and keep the bubbles in the final cake. There is very little flour in the recipe, so the egg white proteins are likely to be contributing most of the structure that holds the cake together. Ordinarily, egg whites create quite dry, crisp things, but all those nuts and butter keep things rich here.
Some other great friand recipes:
April 26, 2013 § 6 Comments
Drømmekage is a genoise sponge beneath a layer of coconut caramel – a plain cake made glamourous with a baked-on topping. This one is from a recipe by Signe Johansen, from her cookbook ‘Scandilicious’. It belongs to a class of Scandinavian baking that seems to be closely linked to German traditions of Kaffee and Kuchen – Swedish Toscakaka and German coffee-cakes with streusel toppings. There is a Danish word for the togetherness of coffee and cake, hearth and home: hygge. (It also appears on this excellent map of untranslatable non English words. These are cakes designed to be sliced and shared through an afternoon, not squirreled away in a tin for later. It was certainly devoured by my work colleagues last Friday, and generated not a little happiness.
A cake with a baked-on topping is a great thing. A plain cake, but with a little something extra. They strike a nice balance between the slight austerity of a very plain Madeira or pound cake, and the over-the-top elaborateness of a piled high cupcake or layer cake. Whether its flaked almonds on top of a bakewell tart, or a handful of granola on the top of a muffin, they provide not just decoration but a contrast in texture and flavour.
In this cake, the cake is too delicate to add the topping before it is baked, so the solution is to bake the cake, then add the topping and bake again to brown it and merge it with the cake beneath.
This makes it especially important to know when the cake is done – adding the topping too early will (as a Danish colleague warned me) sink the cake, collapsing the sponge into a dense layer. It’s also important to recognise when the caramel is thick enough to top the cake without sliding off.
I’ll give you the recipe, reproduced with very kind permission from Signe’s book, then discuss what’s happening behind the recipe – what are the critical steps?
Drømmekage – Danish Coconut Dream Cake
from ‘Scandilicious – Secrets of Scandinavian Cooking’ by Signe Johansen, Saltyard Books
(and if you like this and live in London, you should definitely consider attending Signe’s Scandi brunch and supper club).
- 4 medium eggs
- 300g golden caster sugar
- 1 teaspoon vanilla extract
- 150g butter, melted
- 150ml buttermilk (or a mixture of yoghurt and milk)
- 300g plain flour
- 3 teaspoons baking powder
- 1/4 teaspoon salt
– 200g butter
– 200g light brown soft sugar
– 150g dessicated coconut
– 100ml whole milk
– 1 heaped teaspoon vanilla sea salt (I used a scant teaspoon sea salt plus half a teaspoon of vanilla bean paste)
Preheat the oven to 190C/170C fan/gas mark 5. Line a 20x30cm deep rectangular cake pan with parchment paper, leaving a 2 inch overhang to help remove the cake later. It helps to have the paper extend above the sides of the tin a little to contain the topping later.
Melt the butter and leave to cool a little. Combine the flour, baking powder and salt in a bowl, and mix with a whisk to distribute the baking powder.
Using an electric mixer beat the eggs, sugar and vanilla together until thick and pale, the batter should form a ribbon when the whisk is removed from the bowl. This will take several minutes on high speed. If you’re not sure whether it’s thick enough, give it another minute.
Pour in half the melted butter and buttermilk and sift half the flour onto the batter. Fold the batter together with a large metal spoon, trying to incorporate as much of the flour, butter and buttermilk without knocking out the air from the eggs.
Pour in the remaining butter and buttermilk and sift over the remaining flour. Fold the batter as above.
Pour the batter into the prepared cake pan and bake for 20 minutes or until the cake has doubled in size, looks light golden brown in colour and is firm to the touch. A toothpick inserted into the cake should also come out clean. You want to be sure it has baked thoroughly and will bear the weight of the topping to come.
Whilst the cake is baking make the topping by adding all the ingredients into a medium saucepan set over medium heat, stirring constantly to prevent the sugar from burning. Cook for 5 minutes until the mixture has thickened and some of the liquid has evaporated. It will reduce a little and also change colour to a slightly darker shade of brown. You want something thick enough that it will spread over the surface, and not run too much.
Once the cake is out of the oven turn the temperature up to 220C/200C fan/gas mark 7. Spread the topping evenly over the cake, return to the oven and bake on the upper-middle shelf for 5–10 minutes until the topping is a toasted deep golden colour (I found this step took more like 15–20 minutes in my oven). Cool in the tin before cutting into squares to serve. As the topping had set into a lovely chewy caramel in some places, I found it easiest to turn it over onto a board, topping side down, and slice with a serrated knife.
Behind the recipe
So what’s going on behind the recipe? Where are the critical steps? I think there are four steps that are particularly important:
Whisking the eggs well enough to support the rest of the cake
What makes this a genoise-type of sponge is that it is based on a first step of whisking the eggs and sugar together until thick, rather than the more usual process of creaming together butter and sugar. This thick mixture is known as ‘taking it to the ribbon stage’, as the mix should form a thick ribbon as it trails down from the whisk into the bowl. Once this is done, the other ingredients – in this case, flour, melted butter and buttermilk – are folded in.
Eggs and sugar whisked together – whether just egg whites or whole eggs – will form a pretty stable foam that can hold lots of air, even when deflating ingredients like butter and flour are folded in. It’s almost impossible to over whisk eggs once a substantial amount of sugar has gone in, so if you want to err on the safe side, just keep going with the whisk a bit longer. This is one of those times where you will give up your right arm for an electric mixer – the handheld ones work really well and are not expensive. I used my Kitchenaid with a whisk attachment.
Baking until firm enough to support the topping
In order to support the caramel topping, it’s important to bake the cake until all trace of liquid cake batter has disappeared, and the cake is fairly firm. The recipe gives the baking time as 20 minutes, but given all the variations in oven temperatures and baking tins, you should always check for doneness before the time is up, then at five minute intervals until it looks close. The first thing I check for with a sponge, whether genoise or creamed, is whether you can still see a wobbly lake of batter in the centre. If a gentle shake of the tin reveals there is still a puddle under the surface you can safely give it another five minutes. Once that has gone, you might want to check more frequently with either a skewer, cocktail stick or small paring knife to see that crumbs rather than liquid batter sticks. To test whether it is firm enough to support a topping, lightly pressing the surface with your finger, to see if it will resist and spring back, is another good test.
Cooking the caramel on the stove
The recipe asks for the caramel mixture to be cooked in a saucepan before adding it to the cake. Caramel is a really temperature sensitive thing, and the thing to know about caramel temperatures is that it won’t start to rise much above 100C until almost all the water is removed from the mixture. This is (I presume), why the mixture is first boiled on the stove – to remove most of the water, and create something that will readily form a set caramel in the oven. I found that the volume reduced quite a bit, and the colour changed from a pale gold to a darker shade.
Baking the caramel to caramelise it further
The aim of this final stage is to convert the sugar from a runny caramel to a chewy toffee-like topping. This means baking it in the oven long enough to caramelise it further and ensure it sets in place. I had difficulty with this stage, as my tin wasn’t deep enough, and as it baked, the topping overflowed the paper lining and spilled over into the oven. Having a very even surface to the cake will help make sure the topping browns evenly, and if you know your oven has some hot spots, keep checking and turn it around periodically, so that it evens out (I put my tin on a baking sheet at this stage to catch any overflowing topping, and also to make it easier to turn around).
January 24, 2012 § 5 Comments
In the last post, I looked in detail at creaming the butter and sugar, the starting point for many cakes. This post follows what happens next – adding the eggs, flour and then baking.
I found a great description of what happens in a cake in Rose Levy Berenbaum’s Cake Bible:
“Ingredients fall into two categories: those that form and strengthen the cake structure and those that weaken it”.
The flour and eggs provide the protein that holds the cake structure up, and stop it from collapsing into a pancake. The fat, sugar and leavening all weaken the structure in different ways, making the cake tender and soft instead of tough and chewy. The balance between the two sides is important for capturing the air that makes cakes soft and light.
Adding eggs – what happens when it curdles
Almost as soon as I put the last post up, someone asked what happens if the mixture curdles. I have looked into this problem before – most people seem to say it can be avoided, perhaps marginally reduces the volume of the final cake, but if it does happen, you can carry on without problems.
But what was unclear was what caused it to curdle in the first place – was it really not enough creaming, or something else?
When the mixture curdles, what you see appearing are lumps of fat and sugar, surrounded by a thin watery liquid. The clearest explanation I found came from Shirley Corriher in ‘Bakewise’. She describes this as a:
“switch from the the water-in-oil emulsion that you want to an oil-in-water emulsion”.
This probably only makes sense if you know what an emulsion is. An emulsion is simply one liquid suspended in another. In this case, when you start to add the eggs, you are aiming for little droplets of the water from the eggs, suspended through the fat-and-sugar mixture that is already there. At some point, the liquid from the eggs can overwhelm the amount of fat, causing the bubbles of water to all join up and become the main part of the mixture – the continuous phase, as it’s called.
To prevent this happening, you need to ensure that the fat and sugar are able to hold as much liquid as possible – which means soft, but not melted. You also need to add the egg very gradually, so that it doesn’t overwhelm the mixture. This is the same principle as adding oil to mayonnaise – go slowly and incorporate each bit before you add some more.
Finally, the solution once it has curdled – which it might well do – is to stop beating it and add some flour. This will absorb the excess liquid that’s starting to pool, and shift the balance back again.
Speaking of Shirley Corriher, this is a brilliant excuse to link to my favourite food science programme, Good Eats:
Good Eats: A Cake on Every Plate
Shirley appears at about 4m30 (disturbingly extolling the virtues of cake flour, which you can’t get in the UK because it’s chlorinated, and the EU aren’t big fans of that idea).
Alton also talks about creaming and bubbles at about 8m30. He also has kick-ass flames painted onto his KitchenAid mixer.
Once the eggs are in, the final step is to add the flour, and any liquid that might be called for. These are often added in alternate batches, so that the mixture gets neither too stiff nor too runny as they go in – either might deflate the air.
An often neglected step is to thoroughly sift the flour and baking powder together. This isn’t necessary if using self-raising flour, but when adding baking powder, there is always the risk that small lumps of leavener will persist in the batter, and produce large ugly holes in the final cake. If you really want a fine texture, sift two or three times before it goes into the batter.
The other important thing when you add the flour is to stop folding or stirring as soon as the flour has disappeared into the mixture – don’t mix any more than you need to. As soon as the flour makes contact with the liquid in the eggs, and any added liquid like milk, it will start to make gluten. The more you mix at this point, the longer and stronger the gluten will become, and the tougher your cake will be.
The final point is on baking. The balance here is between allowing the leavener time to work and expand, and setting the egg and flour proteins in a structure that will hold the air. Bake at too high a heat, and the leavener might not have had time to work before the batter sets, making a more dense cake with a closer texture. Bake at too low a temperature, and the gas might bubble to the surface and disperse, and so be lost that way. A medium temperature will set the batter at the right point, and bake through evenly without making the surface too dark and brown.
An alternative method – the two stage approach
When consulting Rose Levy Berenbaum, I discovered that she actually doesn’t recommend creaming at all. Her favoured approach is a different one completely. She combines the flour, sugar and fat together with a little egg, and beats thoroughly to incorporate air. Then she adds the remainder of the egg, and other liquid in batches.
This approach takes a different route to the issues above. By combining the fat directly with the flour, it can be coated to prevent the liquid getting at the protein and forming gluten. The flour-sugar-fat mixture can still hold air, so the creaming still generates volume. And the eggs are added only once the flour is already there to absorb liquid, so there is no risk of curdling.
I haven’t tried this approach more than once or twice, but I will be trying it out alongside regular creaming to see what effect it has. Watch this space.
January 23, 2012 § 3 Comments
Cakes are demanding, and learning to make a good cake needs more than a recipe. So many little details are important. One of the essential details, at least for most British cakes, is beating the butter and sugar until truly pale and fluffy – creaming them together. If you’re making a Victoria sponge, a layer cake or a cupcake, you almost always start by creaming together the butter and sugar.
What is creaming?
For a long time I didn’t understand creaming at all. The recipe phrase is usually ‘cream the butter and sugar together, or ‘beat until light and fluffy’ or ‘beat until it turns a shade paler’. The big problem with these directions is that they don’t convey the change you need to see. You start off with a greasy paste of butter and sugar, but end up with something more like slightly yellowed whipped cream instead of butter.
I only really got creaming when watching a demonstration by Alice Medrich, an American baker and chocolatier. She was making her Tribute cake, a layer cake of featherlight chocolate sponge with whipped chocolate ganache filling and a smooth, shiny chocolate glaze. She left the mixer running for a good five minutes when creaming the butter and sugar – much longer than I had expected.
Think about it this way instead: most of the frosting that is now applied in towering heaps to American cupcakes is made of this same mixture. They tend to use icing sugar instead, so the texture is even smoother, but the volume and the fluffy texture are the things you’re aiming for.
Why is creaming important in making cakes?
The structure of a cupcake is a foam, a web of flour starch and egg proteins, with many tiny bubbles. The batter you end up with is quite delicate, with just enough connection between the ingredients to hold the all-important air in there. This is the biggest difference between a sponge and other types of cake.
Marrying butter and sugar is a task at once completely simple and immensely complicated. It is the foundation of cake bakery, the structure upon which everything else stands. Build it carelessly, and the rest of the structure may wobble and fall. Of course, you can insure yourself against these errors with other supporting structures, but when you want to move on to the virtuoso pieces that really depend on the foundation, that strip everything else back, you will find it hard.
What is happening when you cream together butter and sugar is that the sugar crystals are helping to create bubbles in the fat as they are beaten. Air is what creaming is all about. Beating faster and longer creates more and more bubbles, and creates a finer texture. Any time you introduce bubbles of one thing into something else, it will become more opaque and paler. This is true of vinaigrette, of hollandaise, of whisked egg whites and of creamed butter and sugar. All the little bubbles start to interfere with the light, bouncing it around more and making it look paler.
How do you cream butter and sugar for sponge cakes?
Hannah Glasse in 1774 described the final state as a ‘fine thick cream’. She suggested that using your hand, this should take an hour. Another 19th Century book suggests it is “the hardest part of cake making” and you should have your manservant do it.
In the absence of a man-servant, a handheld electric mixer or a stand mixer like a Kitchenaid makes this much, much easier. With a small quantity it can be done by hand, but expect a decent workout. You need the mixture to change colour – as the air is incorporated, the bubbles make the mixture look paler. The texture also becomes much fluffier.
When you’re creaming butter and sugar together, it’s more or less impossible to mix for too long. You at least need the mixture to become one shade lighter. By mixing it for long enough, it should be possible to make it turn almost white, as the sugar crystals introduce more and more air into the fat. All of this isn’t really conveyed by the simple words ‘cream the butter and sugar’.
In a follow up post, I’ll talk about the subsequent steps in making a sponge cake, which follow on from the creaming step.
November 17, 2011 § 7 Comments
I lived and cooked in the States, in Palo Alto, for a little over a year. Many things about it frustrated me to tears – although that was partly my fault for being determined to make mince pies and Christmas cake in a fit of homesickness. But that was where I learned to really cook over six months at Tante Marie’s cooking school in San Francisco. It gave me a huge affection for American food writers, restaurants and recipes.
There are many differences in the ingredients and equipment available in the UK compared to the US. Although we share a language (just), many aspects of American life are completely foreign to us. US food bloggers had a head start on us Brits, and many of the very best blogs are by American writers, so it’s a shame to avoid them because the recipes are hard to tackle. With a few tips, its very easy to adapt US recipes to make in the UK – and some bloggers, such as Smitten Kitchen, have become such converts to using a scale, they provide gram measures as well as cups.
The first thing to know about American baking is that almost no publisher or blogger can assume that a home baker owns a scale – a very small proportion of homes own them, so most will only provide cup measures. Where they do provide weights, it is likely to be in ounces (the US being almost the only country on the planet still sticking to the Imperial system of weights).
I have put together a list of the key differences to be aware of when using American recipes, particularly in baking, with suggestions on how to convert and appropriate substitutions. I hope you find this helpful, and try to tackle a few more recipes from the huge array of inspiring American bloggers.
- A stick of butter weighs 4 ounces (110g) and is the same as half a cup. American butter has more water than European butter – it’s usually around 80 per cent fat, compared to 85% or more in the UK. This won’t make a difference for most recipes, but is worth bearing in mind if something turns out overly heavy or greasy.
- While we’re at it, 1 cup = 8 fluid ounces and 1 fluid ounce = 2 tablespoons. You will sometimes see references to tablespoons of butter – you can assume that 1 tablespoon of butter weighs half an ounce.
- American granulated sugar is somewhere between caster sugar and UK granulated sugar in the size of the grains. Superfine sugar means something similar to caster sugar and confectioners sugar refers to icing sugar.
- A cup of all-purpose flour is somewhere between 4oz and 5oz – there is no standard weight, it all depends on the cook. I generally start with 130g per cup and adjust if the texture seems wrong.
- All-purpose flour is slightly higher in protein than British plain flour, but most of the time you can substitute without any problems. If the recipe is particularly delicate, you can reproduce a similar protein content by using half plain flour and half strong white flour. Cake flour in the US is very low in protein, and usually bleached, a process which is outlawed in Europe. This makes it very hard to reproduce the superfine sponge used for American layer cakes.
- Golden raisins are the same as sultanas. When it comes to other dried fruit, you almost never see currants, candied peel or glace cherries in America, so you won’t often find them in recipes.
- Molasses is a dark syrup, much like black treacle, but usually more liquid. I will usually substitute about two-thirds black treacle and one-third golden syrup if molasses is called for.
- Kosher salt is not Jewish salt – it simply means a flaky salt, used for koshering meat. Kosher salt is widely available in the US, and isn’t as expensive as sea salt here. It is best approximated with a fine sea salt, or with about half the volume of fine-grained table salt.
- American baking often makes use of buttermilk, which can be bought in any grocery store in quart cartons like the milk. I usually substitute a mixture of two-thirds plain yoghurt and one-third semi-skimmed milk, which works well.
- American cream is a sad thing, and their heavy cream (the thickest) never gets past the fat content of our whipping cream. So feel sorry for them, but bear in mind that when using cream, they are dealing with much less fat. Half and half is more or less what it says: half (whole) milk and half cream – single cream let down with a little milk would be about right.